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Faure Requiem Op.48 / Durufle Requiem Op.9 | Robert Shaw, Atlanta Symphony Orchestra & Chorus | A dichotomy
 
 


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 Faure Requiem Op.4...  

Faure Requiem Op.48 / Durufle Requiem Op.9
Robert Shaw, Atlanta Symphony Orchestra & Chorus

Telarc, 1990

average customer review:based on 25 reviews
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     highly recommended  highly recommended




The real gem here is Durufle's Requiem

As I am not a fan of Faure's Requiem, I am going to limit my comments and overall review of the CD to Durufle's Requiem.

What a performance this is. It truly is one of the most sublime, peaceful, spiritual, and beautiful compositions I have heard. The heavenly soft opening speaks volumes of what this requiem will be like. The diction of the chorus is impeccable, but beyond this, their singing is perfectly balanced, and at times you feel as though they really are singing in complete unison without one flaw, which is impressive for a group of people. Heavenly sounds emit from the chorus. You can tell they were well prepared in this piece. Also, the chorus never drowns out the orchestra, which is an integral part of the polyphonic nature of the piece.

The recording quality of this requiem, as I always seem to say about Telarc, is top notch. The sound is warm, lush, has a great deal of presence and transparency, and full. You may have to kick up the volume a bit more than on other recordings, but that is no big deal when you get to hear the end result. Every detail is in this recording, from the very faint cellos backing up the female singers, the beautiful oboe solos, or full fleging sound of the orchestra and chorus. When they play together, it's magic and will literally provide goosebumps when the organ adds its part!

If you're a fan of requiem masses or just want something very soothing and uplifting to listen to buy this recording. My only request is this: really pay attention to all the details. Listen to the recording. Don't be doing other things while it's playing, but let is absorb your thoughts, and you may very well temporarily understand what inspiration is.


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A dichotomy

I am an unabashed preacher of the Shaw choral doctrine. Even though I was never a music student, I have always been a student of music, in particular choral music. And in my humble opinion, few have interpreted such wide ranges of choral music better than the late Mr. Shaw. However, I find that in this particular recording of two of the finest settings of the Requiem text that the Faure lacks, while the Durufle soars. I have sung the Faure, and still find that Shaw's reading was just that - a reading. No real emotion derived from the music. The Durufle, on the other hand, is ethereal and inspiring. Powerful and beautiful. The chorus understands the use of overtones and the simple complexity of Durufle's music. Usually, if I have the CD in my player I skip the Faure and go staight to the Durufle. I do have other recordings of both Requiems, and find Shaw's Durufle the definitive recording. He UNDERSTOOD Durufle. However, for an excellent Faure Requiem I'd recommend either the John Rutter and Cambridge Singers (Collegium) or Charles Dutiot and the Montreal Symphony (London).


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Breathtaking!

It's hard to put into words exactly how this CD makes me feel. I'm a fan choral music in general, and Gabriel Faure in particular, so hearing his requiem was an utterly joyful experience for me. I was pleasantly surprised to find Maurice Durufle's requiem just as beautiful as Faure's. Each work has its own charm and appeal, but both are incredibly uplifting. When I hear "In Paradisum" from Faure's requiem, it doesn't so much make me less afraid of death as it makes me want to know what Faure was thinking/feeling/seeing when he wrote such an exquisitely gentle and comforting piece of music. Likewise, "Agnus Dei" from Durufle's requiem enchants to the point that one forgets this is meant to be funerary music. Both works are brought to life here by incredibly gifted vocalists and the excellent conducting of the legendary Robert Shaw. This has rarely left my CD player in the last 3 months. Highly recommended!

Also recommended: "Bluebird: Voices from Heaven"


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Glorious music!!!

I've owned and listened to this recording of Fauré and Duruflé's Requiems for the past ten years, and it's always been a joy to listen to! The beauty of both of these works is unquestionable. Both of these Requiems share a common sense of peace that no other Requiem has. No eternal anger or punishment in here at all!

Shaw gives a beautiful account of both of these works. I've heard many other versions of Fauré's Requiem, and with the only exception of the Naxos one (which by the way is based on the first version of the work itself) this recording remains my favourite! It's actually one of my favourite CDs in my collection!

Buy it, without any doubts you'll love it!


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Superb Durufle with a few somewhat jarring surprises

At risk of sounding like a "classical music heretic", I find the enormously popular Faure Requiem to be pleasant, but without the depth of Durufle's underrated masterpiece.
Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. I'm sure the Faure Requiem was probably ahead of its time, yet Durufle fuses Gregorian chant, Medieval & 20th century concepts & every range of human emotion into something profound. There are lower depths of sadness, higher peaks of ecstatic joy, and more reflective moments in between. Having said that, I've heard or owned about 8 or 10 versions of the Durufle Requiem. Robert Shaw & Atlanta/Telarc have crafted the most "transparent" & well recorded version I've heard yet, with a few unusual surprises here. First, the movements normally scored for soloists are instead performed by the choir. This is the only recording I've encountered to do this. The "Domine Jesu", "Pie Jesu", & "Libera me" are still gorgeously performed, but they do sound radically different this way. The other surprise is in the pacing; and I wonder if the attempt to fit both works on one disc, with the Faure Requiem recorded & sequenced first, might be the reason? For example, Durufle's exquisite, deeply moving Agnus Dei, has perhaps never been performed at such a breakneck speed as it is here. This makes it hard to appreciate the gorgeous plucked strings & woodwinds at the opening, or hear the earth shaking organ accompaniment & the lingering, sustained last notes by the choir at the end. Also the next movements, Lux aeterna, as does the last- "In Paradisum" also seem a bit too fast, when they are normally slow, very meditative & reflective. Again, the sound engineers have done an excellent job capturing every note & instrument, but I can't give it 5 stars despite superb moments such as the first 2 movements or the Sanctus & In Paradisum. You might consider the Andrew Davis/Philharmonia version for about half the price. Though it isn't as transparent (easy to hear all vocal parts), it is still magnificent after nearly 25 years, with clear woodwinds & earth shaking movements. Still, this is a VERY worthy Durufle.


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reviews: 1, 2, page 3, 4, 5



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