To those who desire Carlos to be Bach and more Bach and nothing else ("we like your early movies, you know, the *funny* ones!"), better skip this one. The same subtleties are here as her famous Baroque arrangements: top-rate performances, ear-catching timbres and stereo soundscapes, and some truly lovely passages. But the music is mostly new (a portion is based on themes from her score to Kubrick's Clockwork Orange). Tales of Heaven and Hell is not for all tastes, but it is meaty, exotic and irresistible fare for the bored and the adventurous. Recommended.
A too-often bored music fan