The Heart Is a Lonely Hunter (Oprah's Book Club) | Carson McCullers

The Heart Is a Lonely Hunter (Oprah's Book Club) | Carson McCullers | The Meaning of Life

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The Heart Is a Lon...

	The Heart Is a Lonely Hunter (Oprah's Book Club) Carson McCullers Mariner, 2004 - 368 pages average customer review:based on 156 reviews view larger image
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highly recommended

The Quiet Man.

An outstanding and realistic examination of the human condition. It's an indirect examination ("thoughts that wound from behind" as the great philosopher/storyteller Soren Kierkegaard put it) and that's what makes it so effective.
Everyone is so caught up in their own problems and acting out their desires that nobody notices the quiet suffering of the saintly central character. When he exits his void is felt yet no one can fathom the reasons for his disappearances. Maybe Jean Calvin was/is right about that thorough-corruption doctrine.
Carson McCullers sounds Kierkegaardian in showing the limits of organized religion and social action. The men of purposeful action (street preacher Simms, vagabond Jake Blount, and house-calling Doctor Copeland end up estranged, embittered, and feeling a lack of accomplishment. Meanwhile, the non-formalists (John Singer, Mick Kelly, and Biff Brannon) are better-adjusted and seem to have done more for the world. McCullers doesn't forget the "middle path" either by giving us Portia Copeland, a decent and generous church-goer who talks a little too much.
Our author echoes the sentiments of fellow Southerner William Faulkner on the civil rights issue. Both McCullers and Faulkner despaired at the suffering of blacks under Jim Crow but were wise enough to know the situation could not be legislated away (after all Jim Crow was a creation of government too.) Racism is a human failing to see The Other as a fellow child of G-d. It's an animalistic impulse, as Rabbi Daniel Lapin (a teacher of mine) rightly points out. Trying to speed the undoing of this impulse through legislation and protest marches, while not completely unhelpful, risks bloodshed. Having the faith/attributes of Biff (who runs a restaurant/hospitality center in the spirit of Biblical patriarch Abraham, the father of faith), Mick and Singer makes peaceful change possible in time.
Doctor Copeland and Jake Blount foreshadow the professional protestors of our era. Their enjoyment in physical confrontations tells us a good bit about the psyche of poverty pimps and union thugs.
Singer's life shows the truth of what another of my teachers (the saintly Rabbi Avigdor Miller ZT"L) once said -- "It is the quiet man that is respected." The public activist hero portrayed in Hollywood and TV news misleads many into thinking that they must pour forth a constant stream of verbiage to make an impact and promote "understanding." Rabbi Miller and other sages know better -- Most talking is counterproductive.
McCullers (who was 23 at the time "The Heart is a Lonely Hunter" was published) proves herself the Great American Prophetess of the Great American Loneliness. Widespread ambivalence and inarticulateness amid the Information Age and cell-phone-driven communications "revolution" wouldn't have surprised Carson McCullers.
To close, here's a gem -- "He (Biff) had known his loves and they were over. Alice, Madeline, and Gyp. Finished. Leaving him either better or worse. Which? However you looked at it."

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The Meaning of Life

"Seek and ye shall find," Jesus is quoted as saying in the Bible. All of us, no matter what our religious affiliation--or lack thereof--are seeking out a dream, a little piece of happiness. Sometimes this process is conscious and sometimes a subconscious imperative drives us forward towards that piece of happiness.

The five main characters of "The Heart is A Lonely Hunter" are all seeking their dreams in an unnamed mill town in the South in the late 1930s. For teenaged Mick Kelly, the dream is a career in classical music that her impoverished family can't afford to provide. For the relentless black Doctor Copeland, the dream is freedom and equality for his people. For restaurateur Biff Brannon the dream is having children. For vertically-challenged drifter Jake Blount the dream is a Marxist revolution to level the playing field for all people. And last, but most important, the dream for deaf-mute John Singer is to be reunited with his long time partner Anatopolous, who was committed to an institution.

Singer becomes the prime focus for the other four. One by one they inadvertently seek him out and spill their wishes and desires to him, although he often doesn't understand them. To Mick he is a secret friend who understands her. To Copeland he is a wise man who understands the struggles of the black minority. To Blount he is a comrade in arms for the revolution. And to Biff he is a kindred spirit, a fellow observer of humanity.

Yet for as much as he represents to them, they mean relatively little to Singer. His thoughts are consumed by his love--platonic, we assume--for Anatopolous, the one he thinks understands him. But much as Singer is a false idol to the other four, Anatopolous is a false idol for him, a lazy, selfish, slovenly person incapable of appreciating Singer's love. In the end these troubled souls are left to pick up the pieces after the false idols shatter, as they inevitably do. This leads each of them to make a decision and to enter a new phase of life.

What makes this book so wonderful to read is the profound understanding of humanity shown here. All of us at one time or another have felt the pent-up ambition Mick feels at wanting something that remains just out of reach. We've felt the righteous anger to right a terrible injustice like Doctor Copeland. We've felt the isolation of being the outsider like Blount. We've all felt the confusion after a loss like Biff. And those of us fortunate enough--or perhaps unfortunate enough--have felt the heartache of an unrequited love like Singer.

These people all seem real because their hopes and desires are those hopes and desires we all have. Their dreams aren't altogether different than those each of us seek, whether we're aware of it or not. We know their longing and desperation to find someone who understands them, even if that someone is a deaf-mute who can only nod along.

Because of that, the book touches something deep in our consciousness, something primal within all of us--the need to seek out for something greater. The most astounding thing about "The Heart is A Lonely Hunter" is that the author was only twenty-three years old when she published this. At a time when most of us are just getting out into the "real world" and discovering ourselves, McCullers already had it figured out.

This is truly a literary achievement that you should seek out at your local bookseller or library at once, those who haven't already done so based on Oprah's recommendation.

That is all.

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No thrilling page-turner, but a deep, honest look into the heart of man!

It's no fast-paced thriller, nor is it a gripping page-turner, it is however, an incredibly deep look into the heart and soul of man. Not until you finish the very last page and reflect on what you have read, can you truly begin to understand the simple truth behind the title, `The heart is a lonely hunter.'

The heart of man is lonely, always seeking, always needing something... elusive. We all share the need to feel connected, to be part of a whole. To know truth, and be at peace. We are so many disjointed voices that few of us are ever really heard.

Set in the deep South, Carson tells of a deaf mute named John Singer and a group of frustrated individuals that gravitate towards his serene and kindly nature--a young girl, desperate to follow her dreams; a drunkard, willing to impart his wisdom on the uninformed; a black doctor, eager to lift his people to equality; and a café owner, stuck in the routines of life.

Each seek Singer's company and tell of their woes with a deep believe that he, and only he, truly understands their ply. In him, each sees a kindred spirit. But what, exactly, does Singer see in them?

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Thought-provoking, memorable

As far as an enjoyable reading experience, I preferred Dawn Powell's Dance Night, which is about a similar time and place. But there is no doubting the power of this book. It follows several intertwined characters -- a cafe owner, a young puberty-aged girl, a drunken socialist agitator, a scholarly black doctor... And a kind, mute young man, almost Christ-like in the way he is perceived by others and who is at the very core of the tale. Each of these people are defined by a special vision that is at the core of their lives -- they are driven: for knowledge, for art, for mankind, for freedom and respect, for love of another. To some degree, I found the story contrived despite its gritty, unforgiving realism -- almost like a mathematical formula. But after a while I stopped thinking about that contrivance and was gripped by the story itself. It is clearly a product of the Depression and the threat of War and the social and racial injustices of the 1930's, so it helped me to experience that time. The protagonists in this story are all so driven by, and truthful to, their inner visions, it made me think: What is my vision? And am I truthful to it? As flawed or limited as each the central characters are, each became admirable as the story progressed -- each supremely driven by love and caring in their own way.

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Character study, not a story

I read tons of "pulp" novels and I've started adding some classics to my wish list--largely to see if the books I abhored in high school would be more enjoyable if they were not assigned reading. The Heart is a Lonely Hunter was no better now.
As a character study it is superb; the main characters are deep, believable, and unique. I understood the characters, or at least why they didn't understand themselves. Each chapter with Mr. Singer made me smile with anticipation while I waited for something magical to happen to make the characters happy.
That was the problem with the book. Each chapter barely moves the story forward, and in the end nothing happens. There is so much potential for characters to talk and understand and change, but it never happens and the potential hangs over the entire book like a cloud. The book simply ends. No character is better off than they were in the beginning, no character's life path is appreciably changed from those of their next door neighbors. In short, with the exception of Mr. Singer, there was no reason to write about these characters in terms of their participation in events that are worth writing about.
The book was not a labor to get through, but I was largely unsatisfied with the resolution. I don't need a happy ending, but atleast give me a sense that the previous 200 pages somewhat affected that ending.

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