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Crime and Punishment | Fyodor Dostoevsky | A Morality Play
 
 


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 Crime and Punishment  

Crime and Punishment
Fyodor Dostoevsky

Vintage, 1993 - 592 pages

average customer review:based on 36 reviews
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     highly recommended  highly recommended




Excellent translation by Pevear & Volokhonsky

There can be no question that Crime and Punishment by Fyodor Dostoyevsky is a phenomenal book. What is important to know is that this translation, by Richard Pevear and Larissa Volokhonsky, is the one to get. Compare editions if you'd like, but I haven't been able to find a better translation (and, in fact, only found the book as excellent as it is through this translation).


A Morality Play

I reacted to the book in a couple of different ways. My first reaction, from almost the very beginning, was that the book felt like a Dickens novel to me. I saw similarities in both the gothic overwrought characters and the lurking shady characters who alternately seemed for or against young Raskolnikov. The friendship between Raskolnikov and Razumikhin, in particular, reminded me of the friendship between Pip and Herbert Pocket in Great Expectations. Other similarities, I think, are structural. Both books were written serially, and as with Dickens, I looked forward to the cliffhanger at the end of each chapter which would ensure that readers would look forward to the next installment. When I read a book like this, it always occurs to me that it's too bad books aren't written that way any more. It seems like it would be a really fun way to read a book. (Now that I think of it, I'm pretty sure that Stephen King has experimented with this in recent years). My other reaction was how psychological and modern the book seemed. I never read this or any other Russian novels in school (not sure how that happened) so I had neither expectations nor preconceptions when I began. The book was, in its own verbose way, a very profound discussion of morality and power. More specifically, I was interested in the relationship between the power of murder and the power of wealth and social class. These themes were buried beneath layers of prose. The book seemed to be divided almost equally between action and Raskolnikov's internal monologue. It was very readable, but occasionally overwhelming. A final observation: the book is filled with events and real people drawn from real life in 1860s St. Petersburg. In the present day, as an established classic, it gives the book a historical context, but I couldn't help but think about how it must have appeared at the time of its publication. In this day and age, writers are often derided for relying too much on current events and pop culture. Critics claim the these books will lose their cultural significance as they become quickly dated. Yet, in C&P, Dostoyevsky's practice of referring to specific scandals and amusements that were the hot topics of conversation at the time serves to cement the book very specifically in a time and place and it manages to make the story feel real and complete. I should also mention that I really enjoyed the particular edition that I read. A multitude of informative notes augment the text, and the translation by Richard Pevear and Larissa Volokhonsky felt inventive and engaging.


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Pevear and Volokhonsky's translation: THE best!

There are a LOT of editions of this book out there, as with any other classic. Being a Russian book, naturally one wants to find the definitive translation. Here it is, in the Vintage Classics edition. Volokhonsky and Pevear are eminent Dostoevsky translation and also have made the best translations for other Dostoevsky classics: The Idiot, The Brother Karamazov.
We all know this is an incredible book, but get THIS edition!


More than a novel of ideas, a supreme psychological portrait

The ideas presented, of what it means to dream of ideals, and what it means to act on them, are no longer in the raw nascent stage they were in Notes from the Underground. Raskalnikov, unlike the Underground man, acts. Raskalnikov's crime is only murder, but this is enough to send him reeling the other way. The ideas are still not in the mature aspect they will come to take on in Demons, where all of society is at stake, and The Brothers Karamazov, where the crime is parricide.

All in all, a good introduction to Dostoevsky. Just don't miss out on Notes from the Underground too.


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Psychology of a Killer

Someone told me once that if you love Tolstoy, you'll hate Dostoevsky and vice versa. I don't know if that statement is universally true, but it held for me.

"Crime and Punishment" uncovers the mind of Rodion Raskolnikov, a man who kills a pair of innocents under the guise of needing their money. This ends up not to be true; he doesn't use the money at all, and instead justifies his killing by noting that there are "exceptional" people in the world who can simply get away with killing the "non-exceptional" people. If one exceptional person must kill someone else so that his "exceptional-ness" can be spread, the world is a better place. The entire novel develops Raskolnikov's twisted theory, and traces his internal turmoil after the murder.

I found the book to be tedious, and I thought that some of the passages were lengthy without adding content. I never felt as though I knew any of the characters particularly well, and perhaps that is why it took me so long to get through this novel. There was nothing pulling me along -- after pages and pages of Raskolnikov's inner debates as to whether or not he should confess, I simply found I didn't care what he did. I just wanted the novel to end. It is rare that I yell out a celebratory "DONE!" to my husband upon finishing a novel -- after this one, however, I could not contain my jubilation!

I am a devoted Tolstoy fan, and I guess I expected Dostoevsky to be a little more like him. I expected to feel a connection to the action and the characters, and I was disappointed at every page. I expected more of a sweeping tale, and instead got a few months in the life of an eternally-ill and tormented young ex-university student.

I wanted desperately to like this book, but in the end have decided to pick up "Anna Karenina" (for the third time) and forego "The Brothers Karamozov."


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reviews: 1, 2, 3, page 4, 5, 6, 7, 8



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