The Wind-Up Bird Chronicle: A Novel | Haruki Murakami

The Wind-Up Bird Chronicle: A Novel | Haruki Murakami | Basically, a conundrum

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The Wind-Up Bird C...

	The Wind-Up Bird Chronicle: A Novel Haruki Murakami Vintage, 1998 - 624 pages average customer review:based on 289 reviews view larger image
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highly recommended

Can't wait to read it again

Like I said, it's so great I can't wait to let some of it fade then pick it up again in a few years. Some of the gory bits are hard to handle, but it's well worth it. It's longish, but I wished it would keep going at the end. He really lets you slip into the life of the main character, as surreal as it may be.

Basically, a conundrum

At once strange, fantastic, logical, philosopical, existential, historical, this novel winds you up in perplexity and understanding, confusion and awareness, and subtly forces you into the realms of being you have yet explored. Certainly, this is what the protagonist, Toru Okada, is undergoing as you read one disconnected encounter after another as he goes about, in a very uneasy and slow journey, at first in search for his lost cat, then his lost wife.

It is almost impossible to chronicle all the characters and encounters here, amongst them a prophesying fortune-telling woman, her sister, both eccentric; Noburu Wataya, Toru's wife's brother, with his stiff uniformity and intelligence, looming presence and snobbery; a Lieutenant and his horrifying and painful close encounters in Manchuria during the war(WW2); a stranger and her son, nicknamed Nutmeg and Cinnamon respectively, and how they assisted in saving Toru from the brink of existential loss are among some of the colourful and fantastic characters you'll ever encounter.

One after another, the events may seem random at most, seemingly having no place in the life of Toru. Of course they take place after one another but a questioning reader may wonder why they even appear at all. The answer to this is simply that, no reason at all. This novel is an exercise in existential self-questioning and is a bitter indirect satire at not just Japanese society, but modern society.

Toru's idleness for instance, is a quiet take at modern society's conception of work and all the over-importance we have assigned to it. But if not work, then where are we to search for meaning? Here comes Creta Kano, the prophesying fortune-telling woman who in some ways represent religion. Each characters is in some way, a symbolism. Noburu Wataya, for example, represents the dogmatic beaureaucratic worker, his looming presence is a mockery of government, his fate, well you'll find out in the end.

Lieutenant Mamiya, arguably the most futile character, represents a Japan unable to come to terms with its past. What about the cat then, you ask? That's for you to find out. For me though, it represents Nature. So where do we go from here? Nowhere. This book argues and raises our consciousness that perhaps for all the bustle and activity that takes place in our lives, perhaps only a few, if anything, really is of particularly any importance.

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A Fun Trip

I guess I like his books so much because there is always hope I will understand one of them. Even if I don't, I find pleasure in his writing and the fun of TRYING to make sense of them.

I don't know why this book by Murakami was so difficult for me to get through. It is no more obtuse than the others of his I have read, but I could only take this in small doses. I rarely re-read a book but I may give this one another try in a few years. As I said, there's always hope.

reviews: 1, 2, 3, page 4, 5, 6, 7, 8, 9, 10, 11, 12, 13

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