The Complete Maus: A Survivor's Tale (No 1) | Art Spiegelman | Immensely sad. Full of pathos. An immense work
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The Complete Maus:...
The Complete Maus: A Survivor's Tale (No 1)
Art Spiegelman
Pantheon
, 1996 - 296 pages
average customer review:
based on 192 reviews
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highly recommended
Excellent read
I read
Maus
I and II back in junior high and thought it was really cool that I was reading a book while also reading a comic. I purchased and re-read the boxed set recently when I stumbled upon it on Amazon. It's excellent. Truly a one-of-a-kind story, told in a way that gets the reader engaged in the details of what went on back in World War II. I love the cleverness of the Jews being portrayed as mice and the Nazi soldiers as cats. The only qualm I have with this series is that Maus II (the second and last book) ends rather abruptly, which is sort of understandable if you read the books. Honestly, I wanted more from the author and the storyline. Either way, it was a good read back when I was age 12 and still a good read at age 25.
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Immensely sad. Full of pathos. An immense work
More than a graphic novel. Rather a powerful moving
tale
of a son's recovery of a father's experience of the years of the holocaust and how this trickled down into contemporary family life. Reflective and immense in scope. I would recommend this book genuinely to anyone interested in what makes life worth living. The vignettes of Spiegelman's father are harrowing and inspiring, accentuated by a matter of fact story telling style. Spiegelman's insertion of his own family into the narrative serves to contrast the relatively normal travails of a modern family with those of families on the edge of survival and extinction.
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Maus
As a Polish/american/alsacian I need to say this book is amazing. It captures all cultures together and produces the most authentic representation of WW2 I have ever read.
Sometimes truth is better than fiction.
I stumbled across this a few days ago in a book shop in Cambodia, of all places. I sat transfixed reading the book until 4 a.m., when my eyes could no longer focus. When I awoke the next day, I finished the book.
We are provided with a narrative by the father, a Holocaust
survivor
, and a more recent portrayal of the author (the son, who happens to be the artist, also). We see the trials and tribulations of his father and his mother as a young Jewish couple in World War 2 era Poland during the Nazi invasion and subsequent occupation.
We also get to share the experience of being the guilty son of Holocaust survivors. He worries about seeing his father as the stereotypical "miserly old Jew." Can he have judgment about people who have suffered through so much? Can he have a bit of animosity towards his parents, as most people tend to do? The author has to question how his mother could have survived the Nazi regime, but committed suicide when he was 20. He has to question the relationship with his father. Is he annoying or pitiful or admirable?
All these muddled emotions and the true story of a man who lived through the most brutal crime of the 20th century all come into play.
The drawings are great. The format is great. The idea to show different races as different animals is also great. Because, as silly as that sounds- isn't even sillier that people see our own races as different creatures?
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