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The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller | Carlo Ginzburg | A rare view into the mind of a 16th century miller
 
 


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 The Cheese and the...  

The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller
Carlo Ginzburg

The Johns Hopkins University Press, 1992 - 208 pages

average customer review:based on 17 reviews
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     highly recommended  highly recommended




Microhistory of the masses

Borne of the microhistory genre, "The Cheese and the Worms" provides a glimpse into the life of a miller in medieval Italy. No ordinary miller is 'Menocchio', however, as he is inquisitioned for his radical religious philosophies. In a time and place where Catholicism was undoubtedly the religion of Europe, Menocchio harbored unique ideas about religious doctrine, the teachings of the Catholic Church, and man's purpose. Although some of his many ideas contradict others that he had, he was well-read and surprisingly well-educated for a man of his station. As Ginzburg says, though, we must look to the Protestant Reformation and the invention of the printing press as being major catalysts for such learning and religious evolution. Within the microhistory genre, "The Cheese and the Worms" is most fascinating when we ask the question: Was this an isolated phenonmenon or was this a reflection of many people's views? The answer, I suppose, lies with Menocchio, but there is still much to be gleaned from this book.


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A rare view into the mind of a 16th century miller

It is rare that we can see how common people thought 500+ years ago (another source is the Icelandic Sagas). This book shows that books were read by common people, not just the leaders. In this case, this miller got into a lot of trouble by reading. Lets hope that our current freedom of thought is not restricted in the future.


Very Interesting

Researching within the archives of the Inquisition in northeastern Italy, Ginzburg came across a set of records describing the trials of an obscure miller from the Friuli area. Menocchio, as he was known, repudiated a wide variety of conventional positions on religion, on politics, and even on cosmology. The title of the book reflects Menocchio's unusual and somewhat naturalistic idea about the origin of the universe. In Counter-Reformation Italy, these ideas were not merely unusual, they were regarded as actually dangerous. Following his second trial, in which Menocchio was found to be backsliding, he was executed.
Ginzburg presents Menocchio as an autodidact synthesizing ideas from a variety of sources. Menocchio may have acquired some ideas from Anabaptist radicals who had been active in the Friuli. Other ideas seem to have come from an eclectic, though limited, array of books. As Ginzburg points out, this is an example of the impact of printing. It brought such books as Mandeville's travels and possibly even the Koran into the hands of a lowly miller. Most controversially, Ginzburg argues that many of Menocchio's ideas result from or were influenced by a common European peasant world view whose nature has been largely lost to us. This is an interesting hypothesis which Ginzburg defends very well but it can only be a hypothesis. Neither Ginzburg nor anyone else has the data to evaluate this idea properly. It may be simply that Menocchio was a village crank; an intelligent man with relatively unique ideas.
Regardless of the final interpretation, this well written book provides an interesting view of life in Counter-Reformation Italy.


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Fascinating subject, hampered by obscure writing style

Italian historian Carlo Ginzburg traces the story of one Menocchio, a peasant from northern Italy who was put on trial (and eventually burned at the stake) for heresy by the Italian inquisition in the 16th century. He puts forwards parts of the transcription of the trial, and we realize that Menocchio has some quite heterodox (and not totally consistent) views on theology and cosmology, suggesting a number of eclectic sources for his ideas. For example, he viewed the Earth as a sort of giant cheese and the angels as worms coming out of the cheese (hence the book's title). How an Italian peasant, without presumably much access to books, would get such views, Ginzburg asks. He traces the bookshelves of Menocchio, but he is unable to come up with a clear answer. For example, even though his cosmology seems to have been influenced by a reading of the Koran, that was not among the books he possessed. Ginzburg finally suggests that Menocchio was a recipient of an ancient oral tradition, perhaps going back to the prechristian past, that was not totally suppressed by the church in rural areas. The book deals with an interesting subject, but is unfortunately hampered by Ginzburg's deliberately obscure writing style. He is out to show himself a postmodern writer, but a more conventional storytelling would have been better.


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reviews: page 1, 2, 3, 4



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