Quicksand and Passing (American Women Writers Series) | Nella Larsen

Quicksand and Passing (American Women Writers Series) | Nella Larsen | 2 nicely paired novellas

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Quicksand and Pass...

	Quicksand and Passing (American Women Writers Series) Nella Larsen Rutgers University Press, 1986 - 246 pages average customer review:based on 10 reviews view larger image
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highly recommended

Only read Quicksand--wonderful book

I read this book years ago, in college. It made me much more sympathetic to the struggles of biracial (black and white) women, of the past and today -- I am an Asian-American female. The book is a beautifully written, but painful story of how the protagonist moves through her life in societies where she is kept down on many levels (socially, economically, psychologically, physically) -- basically her journey through the "quicksand" of classism, racism, and sexism. The book deserves a wide audience.

2 nicely paired novellas

Quicksand is one of my favorite fictional stories. In truth, the word "fiction" can not adequately touch upon the essence of this novel. Helga Green's biographical information is nearly identical to that of Nella Larson, and in Helga we, the readers, see a reflection of Ms. Larsen.

Helga is a heroine, tragic not because of her fate, but of her resignation to her fate and inability to rise above it. Larsen realizes the bonds of racism and sexism that held steadfastedly in place, whether it's in Harlem or Copenhagen. A reader may either sympathesize with Helga's plight or sneer at her stupidity. But perhaps that's what Larson wants to portray. Sometimes one is irrational when it comes to the matters of the heart or the lack of. Even the most intelligent of us. We would gasp in surprise if the same fate fell upon others but would seem resigned when we are in the same situation.

Passing is considered by many critics as Larsen's "lesser novella." True, it is not as riveting as Quicksand, but it explores deeper issues of gender and the color barrier. While in Quicksand the relationship between Helga and Anne is at best lightly touched upon, the one between Clare and Irene is more complex and poignant.

Throughout the novel(la), there is a tinge of homoeroticism, if you read between the lines. This is a story, not so much of the tragic mulatta (even though tragedy tends to overshadow all else in Larsen's work), nor merely of the phenomenon of passing for white, but of two women's exploration of their own gender, sexual, and racial roles in the tumulous society of upper middle-class Harlem.

Both stories written in the early 1930s period, this book features Larsen at her best. Even though the endings to both are quite anti-climatic, one should find in her stories enough food for thought and a quite thorough insight into female African American conflicts and culture during the Renaissance era.

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Amazing Narrative and Multi-Faceted Topics

Passing is an amazing narrative. A key to the success of the narrative in Nella Larsen's Passing is the use of a limited third-person narrator, because it allows the villain to hide. Through the voice of Irene Redfield, characterizations get meted out as she sees fit, and only by Irene's portraits of others can we arrive at her own characteristics and motivations. As Irene describes and interacts with others, she unwittingly betrays her shrewd plans. Whether done subconsciously or not, her subtle actions and inactions tattle on her, yet she keeps the narrative vague enough that she comes off as a victim of Clare. Irene paints herself as a sheep and Clare as a wolf, when in fact the opposite is true. The affair that presumably takes place between Clare and Brian seems to catch Irene off-guard.

Keep an eye on Irene.

Amazing narrative on several levels. The crossing of domains in this novella is outstanding. Because Irene has control of the narrative, the childhood events and characterizations indict Clare as untrustworthy instead of as a misfortunate child who overcomes great obstacles. This distrust raises questions later on when Clare all but moves into Irene's house, and Irene doesn't protest for an "obscure reason."

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A prescription

Being already mesmerized by the great Toni Morrison, I was quite surprised to literally "fall" on this book (found in a box of free books).
I'd say that Morrison is a pre-Larsen, but then, I may be finding out that these black ladies who write - so well - are very preocuppied with their race. Obviously, it's allright with me as it is exactly that fact that interests me very much. I learn in novels because it is part-reality, part-fiction.
(Please don't blame a white French-Canadian man for that.Curiosity doesn't kill this cat)
I began with Passing, as the story appealed to me. And I simply loved it. Never knew that passing existed (innocent me again) and this makes a large subject to cover. This, Larsen does delicately. And with great impact.
Next, Quicksand. I read it with much attention but got a bit lost towards the end. Something about a lack of proper closure for this novel made me feel like the author lost some interest in it or didn't know herself how to complete it. But, she does make her point clear.
(all that already pointed out in the intro, that should have been put at the end of the book, not at the beginning. Read it last too...).
A search on the net made me find out that Larsen is being studied in many different schools in America. This kind of prescribed reading may disgust some people (like us here who all had to read The Tin Flute, by Gabrielle Roy) but bear in mind that teachers makes us read the real stuff. I invite you too go for it, especially Passing, that is really a great novel... with much to make us think about.

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Eh...

I think 3 is generous. I absolutely hated Quicksand, although I did appreciate the fact that Larsen's main character wasn't exactly likable, I think that was a different unusual approach, she's not exactly the ideal protagonist which is awesome. But as far as the story goes, its so reminiscent of the tragic mulatto to me and I'm pretty sick of that stereotype. Passing was better, but that too remained true to the tragic mulatto frame. It was no masterpiece.

reviews: page 1, 2

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