A Raisin in the Sun | Lorraine Hansberry | What Happens To A Dream Deferred?

A Raisin in the Sun | Lorraine Hansberry | Better than I was Expecting

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A Raisin in the Sun

	A Raisin in the Sun Lorraine Hansberry Vintage, 2004 - 160 pages average customer review:based on 138 reviews view larger image
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highly recommended

When it was first produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award for that season and hailed as a watershed in American drama. A pioneering work by an African-American playwright, the play was a radically new representation of black life. "A play that changed American theater forever."--The New York Times.

What Happens To A Dream Deferred?

Produced in 1959, A RAISIN IN THE SUN was the first Broadway play written by a black woman: Lorraine Hansberry (1930-1965), a memorable author who based the central story on an incident that occurred in her own family and which eventually evolved into a landmark Supreme Court ruling in 1940 as Hansberry v. Lee.

The play presents us with three generations of the Younger family: the widowed matriarch Lena; her son Walter Lee and daughter Beaneatha; and Walter's wife Ruth and their son Travis. The family resides in a semi-slum apartment building on the south side of Chicago in the 1950s, where each tries to rise above the difficulties of their enviroment and the many social limitations imposed upon African-Americans at that time. But there is hope on the horizon: Lena is about to receive insurance money from her husband's death.

Unfortunately, instead of pulling the family together, the money actually drives them apart. Each member lays claim to it in some form or fashion. Lena dreams of owning her own home; daughter Bea is attending medical school and needs money to finish her degree; and most especially Walter Lee dreams of owning a liquior store. Bit by bit the pressure chips away at the family, already strained by years of frustration, and explodes at the play's climax--although not precisely in a way that one might foresee. When the explosion arrives it does not shatter the family; it unexpectedly reaffirms it.

When I review a play, I like point out that plays are not really intended to be read. They are intended to be seen on stage, where performing artists and designers breathe life into the lines and bring force to the story and its themes. This is true of every play. It may be especially true of A Raisin In The Sun, which on paper feels somewhat dry and slightly preachy. But I have seen the play performed--and let me assure that you that it brings the audience to hysterical laughter, painful tears, a sense of deep outrage, and an affection for its characters that few other modern plays can match. It is indeed a brilliant work and a great classic of 20th century American theatre.

GFT, Amazon Reviewer

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Better than I was Expecting

I had to read this book for my senior AP english class and I was quite stunned when I realized that I actually liked it. I like to read, but not usually the books the teachers assign, and the other two books she had assigned turned out to not be all that good. I liked a Raisin in the Sun because it had just the right mix of drama, and humor. Lorraine Hansberry really knows when the drama has become too much and she adds in a little bit of humor like any great author would. I really liked the characters, especially Beneathea who I found to be especially poignant and humorous. This book did not have a greatly detailed plot, but it made up for it in the way it was presented. It wasn't supposed to be an adventure novel, so I wasn't looking for a whole lot of plot twists. I also liked the message it sent.

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Good book - better play

It is a nice book. The characters personalities made the book good. If the characters were changed the book wouldn't be as good. The story shows the life of a black family in Chicago and their struggles through the years they lived there.

Raw, Realistic Drama

Lorraine Hansberry's famous play offers raw and realistic drama. The story examines conflicts and dreams within an African American family from Chicago's South Side in the 1950's, plus the effects of racism. The family includes Walter and Ruth Younger, his widowed mother Lena, son Travis, and sister Beneatha. Walter is a hard-working chauffeur who dreams of buying a liqour store before he loses his money to a con artist. Beneatha is an ambitious college student newly attracted to the back-to-Africa philosophy of her Nigerian friend, while Lena and Ruth dream of escaping their slum and buying a house in a better area. That latter dream becomes reality via the life insurance from Lena's late husband. Lena purchases a house in a better area, at which point the all-white neighborhood tries to pay off the Youngers to keep them from moving in. We see the family separate with the expected insurance settlement, only to reunite when faced with rejection.

This drama presents potent trends like resistance to integration, pan-Africanism, and militancy, but never becomes soapy or preachy. This play was first performed in 1959, as Chicago's South Side was fast turning from white to black - integration being defined by neighborhood activist Saul Alinsky as that brief period of time between when the first black family moves in and the last white family leaves. Sadly, several once-stable neighborhoods became crime-ridden slums, and cancer took Ms. Hansberry (1930-1965) at just 34. Still, her raw, realistic drama provides a powerful testament.

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