Ways of Reading: An Anthology for Writers | David Bartholomae, Anthony Petrosky

Ways of Reading: An Anthology for Writers | David Bartholomae, Anthony Petrosky | From a Teacher

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Ways of Reading: A...

	Ways of Reading: An Anthology for Writers David Bartholomae, Anthony Petrosky Bedford/St. Martin's, 2004 - 928 pages average customer review:based on 8 reviews view larger image
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Challenging, yet rewarding read

I had to read this book for my upper division journalism class this fall and found it to be one of the best books that we used in the course. The editors have tried to collect well-written, intelligent documentaries that challenge traditional connections between words and photographs.

Included are Edward Said's inspiring piece about the Palestinian holocaust and exile, a piece by Roland Barthes about the meaning of photograph, "Let Us Speak Now of Famous Men," and many others. Although some pieces are better than others, Barthes' piece is more exciting and informative than Marianne Hirsch's writing on the way that children are used in photography. Over all, the collection is a rewarding and challenge book that could be used for any upper division class. (Maybe the reason that previous reviewers did not like the book is that it was not intended for first year college composition classes.)

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From a Teacher

I have used this book to teach a freshman writing and reading course at a liberal arts school. Because of the difficulty of many of the texts, it was met by my students with little fanfare. While a few of the pieces are clearly too much for the average freshman (Foucault comes first to mind), most can be used effectively to get them to discuss issues. I have found that the students would rather talk in generals and universals than with the intricate arguments that some of the writers brilliantly present.
This is one of the those books that if you decide to use it in a class, then you better be prepared to not only sink with the ship but also be able to provide an inspiring tour of the ruins.

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reviews: page 1, 2

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