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Final Harvest: Poems | Emily Dickinson | The special value of a volume of this kind
 
 


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 Final Harvest: Poems  

Final Harvest: Poems
Emily Dickinson

Back Bay Books, 1964 - 352 pages

average customer review:based on 7 reviews
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     highly recommended  highly recommended



A selection of 576 of Emily Dickinson's poems which is designed to be representative of the complete range of her work.


Strong Medicine

I was never actually a fan of poetry until I encountered Emily Dickinson's poems. It seems as if she has written a poem for everyone. I strongly recomend this book, as my English teacher did to me, not only because of my love for Emily Dickinson, but for the quality of the book. It is obvious that Thomas H. Johnson, the editor, put many long hours of hard work into gathering this collection. Many of her poems were simply scribbled on little pieces of paper, which makes me wonder what kind of literary genius she must have been. With the help of this book, she has become my favorite poet, and I have learned that poetry can be strong medicine for the hurting soul. Final Harvest never leaves my side.


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The special value of a volume of this kind

There are Emily Dickinson's greatest poems, most of which my guess is , have in one way or another been anthologized. There is her complete oeuvre of 1775 poems, a large volume indeed. I am not a Dickinson scholar and I found myself a bit lost with such a large number of poems to search through for new gems.
This present volume edited by the dean of Dickinson scholars purports to choose of the total oeuvre the very best of her work.
I truly appreciate this as a volume of this kind can extend my knowledge and appreciation of her poetry in a way which is most economical and helpful to me.


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Best collection of Emily Dickinson's poems

This is the best collection/selection of Emily Dickinson's poems I have ever found. They're selected from a complete collection. What's special about this book is that none of the poems are edited, as is done in many other collections of her works - and excellent choices are made for which poems to include. Emily often used simple dashes at the ends of her lines, and this selection is true to her originals - and she never put titles on her poems, or indented lines - as many other collections of her poems have the audacity to do - as if the editors of those works knew better than this greatest poet the English language has ever known.


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The Loaded Gun Which

Everyone who aims for the ultimate, the elusive, and the exquisite, ought to pack. The edition is affordable, durable, well-organized, comprehensive . . . and produced with care NOT to alter the form or format of the poems . . . which for some dreadful reason a lot of folks seem to feel compelled to do . . .

more importantly . . . all that white witchcraft still dazzles

For those whose aquiantance with the Belle of Amherst is limited to the classroom edition - i.e., There is no Frigate Like a Book, et al., look again. Dickenson really is the epitome of the rugged individualist - a free spirit - in ways surprisingly opposed to her contemporary, Whitman, she arrives at similar conclusions going no further than her garden. She is the inward sojourner - at home in the harshest tensions and conflicts of the psyche - where her distinctly feminine sensitivity speaks truth in "slant" - as she qualifies her enormous insight.

Most haunting: 'Success is counted sweetest', 'To learn the Transport by the Pain', 'My life closed twice before its close', and, "My Life had stood - a Loaded Gun -". Dickenson laments our sovereign anguish, our exile from the immediate truth or the comprehensive immediacy of truth, the quest for which her poems articulate an urgent hunger enveloped in alternately the most naturistically ambient references or stonily direct terms.


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Perhaps we are looking at the wrong aspects...

Don't get me wrong, I truly love a large selection of the poems in this volume. However, that is a measure of Emily Dickenson and me, not T. Johnson's collection. What makes this book better than many that are around and about, as has been mentioned, is the lack of editing to her poems--something that has always bothered me. In this regard, the content of the poems is better than many others, however there are other issues of note.

This is, of course, an abridged collection. As such, we are forced to rely on the opinion of another. Granted this is common enough with poetry collections, but that doesn't change the very nature of each person having differing interests. There is no way to know if the ones he leaves out are just as good or even better, from each individuals perspective, without going to more comprehensive texts.

Regardless, I do have one gripe with this book that is unrelated to the above pettiness. The method of dating each poem seems silly to me. The reason is that they are all claimed to be from one of several (if memory serves 3) years separated out over several decades. That and there are two listings of dates for each poem, which I don't recall off hand why they did that, and it may serve some purpose, but it's not useful information if when these poems were written can only be pinned down to plus or minus five-ten years. I can't blame Johnson for this as I imagine that is as close as is known, but, by the same token, the dates could have been left out so that it doesn't detract from the actual poetry.

All in all I would recomend this book, but I might suggest getting a more complete version instead (so long as it is unedited--Emily hated it when people wanted to edit her poems, and I think that we should respect that).


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reviews: page 1, 2



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