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Now and Then: From Coney Island to Here | Joseph Heller | A Fine Representation of Heller's Psychology and Style
 
 


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Now and Then: From Coney Island to Here
Joseph Heller

Vintage, 1999 - 272 pages

average customer review:based on 11 reviews
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     highly recommended  highly recommended



From the author of two of our most legendary novels, Catch-22 and Something
Happened, comes a slyly funny, vastly revelatory memoir that is at once a loving
evocation of a lost America and an exploration of the frontier where life turns
into literature.

Now and Then follows Joseph Heller from his fatherless childhood on the
boardwalks of Depression-era Coney Island, where he grew up amid the rumble of
the Cyclone and the tantalizing aroma of Mrs. Shatzkin's knishes. It offers a
dizzying bombardier's-eye view of the sky over wartime Italy, where Heller
encountered the characters and incidents he would later translate into Catch-22.
It depicts a writer coming to terms with both rejection and celebrity. Here, in
short, is a life filled with incident and insight, recollected with  subversive
humor, exquisite timing, and a fine appreciation for the absurd.


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A beautiful retrospective about a fairytale time.

As a person who also grew up in Coney Island all be it some thirty years after Mr. Heller did, I found this book to be a delight. It was really something to read about some of the people that I knew and some that my parents had told me about, as well. I totally disagree with the premise of some of the other reviewers about Heller not giving insight into how he came about to write such a classic as, "Catch 22". Actually it is in fact the environment, ethnicity and characters of Coney Island of that era that gave him his wonderful wit. I should know I have plenty of them in my immediate family. It was also nice to know that I am not the only one who felt the way that he did about swimming out to the bell buoy. All that aside, the book is very interesting and profound, and definately gives us all an insight into the heart, mind and life experiences of one of Americas great satirical authors.


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A Fine Representation of Heller's Psychology and Style

If you are like me, you are tempted by autobiographies of writers whose work you love. You hope to get that extra bit of insight that will expand your appreciation of their writing. Usually, these hints come from long passages about writing and inspiration concerning those works. In Now and Then, Mr. Heller is more laconic about that sort of information than many writers are. On the other hand, he is very generous in explaining his personal psychology, demons, work habits, and writing blocks. You will come to appreciate that Mr. Heller is a man beset by some important demons who overcomes them with wry wit that delights almost everyone. The book's weakness is that you will perhaps get more knowledge about Coney Island in the 1930s than you had counted on. If you are from Coney Island, on the other hand, you will revel in all of the myriad details and will want to give this book more than five stars.

Mr. Heller takes great pleasure in his success, his career, his recognition, and his accomplishments. He takes equal delight in his ability to use language with precision and erudition. The autobiography allows him plenty of opportunities to focus on all of these pleasing elements. To make this self-indulgence more palatable to the reader, he pokes a bit of fun at himself with gentle irony.

But all of this seeming self-indulgence is really procrastination to delay dealing with the painful parts of his life story. His father's death while he was young, and later exposure to the horrors of war in World War II left a deep stamp on his emotional make-up. The book describes an important catharsis as Mr. Heller identifies what he learned from psychoanalysis and the pscyhological testing that his employers applied. His self-descriptions perfectly mirror his characterization of what happened in a typical psychoanalysis session. He would tell witty stories, jokes, and did everything possible to please the analyst . . . so he would not have to focus on the problems that faced him that day. And so the book does the same.

I came away with a new appreciation for Mr. Heller after coming to see how much of his great writing and humor serve as his defense against deep emotional wounds. I hope that we can all learn how to cope as well.

After you finish this book, think about where you procrastinate. What is it that you are trying to avoid facing about yourself?

Tell the truth . . . and make it interesting if you want to help others! You may also help youself.




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A great memoir, even if it isn't that linear

I bought this book solely on my admiration of Heller's great book Catch-22, and I wanted to find out more background on the guy who wrote this strange and cynical bit of humor. But once I started reading, I got pulled into another realm, the world of Coney Island during the depression, where a fatherless Jewish family struggled to make ends meet while living in the shadows of this wonderland boardwalk and amusement park area. I live near Coney Island, and always wonder about its past, the demographic that lived there and made it mighty, and then watched it coast back down to what it is today. Heller's book is such a wonderful and detailed display of this childhood, that after fifty pages, I didn't even care about what happened to him in the war. This is covered a bit, and he does lay down some interesting facts about how some people and events in Catch-22 really happened. But he doesn't spend that much time on the war, and instead drifts into how his writing career got started, how he worked the chump jobs and waited for the magazines to pay him $10 a story, until he really made it. The book is a bit anticlimactic in the end, especially when you realize Heller is gone now and this is the end of the road. But despite his habit of jumping forward and backward in time (A lot like Catch') I'd call this book a success, although maybe in an area that wasn't as advertized by the jacket or publicity.


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Neal Simon did it better

Heller's memoir isn't badly written. It's more that his life is rather dull. Most of the book focuses on his childhood in Coney Island, where he has no bad memories and no exciting ones. The Depression didn't affect him. His father's death didn't affect him. Nothing affected him. And not much happened. As a result, the memoir tends to drag out. Chapters 8 and 9, titled 'Peace' and Psychiatry' respectively, were very good. That's the period of the war and afterward. Those are the chapters that get into his writing, and this is where the memoir picks up (though it drags again in the final chapter, when we go back to Coney Island and more discussion on what happened to the people he grew up with--which is to say, nothing interesting). And there is little insight into Catch-22 (and if you are Joseph Heller, Catch-22 is the most important thing you've done, an instant classic, and what everyone knows you for--there should have been more of a focus on it), which is truly a shame.


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Heller, but

not like his novels, because this book is less edited--irrelevancies, parenthetical comments, asides, which slow down narrative. Masterful description of sights and sounds still there--characteristic of other New York writers, such as Breslin and Puzo-- but without ominousness of "Closing Time." Descriptions of Coney Island are superb; if he had grown up anywhere else, he and his life would have been very different. Has difficulty reading character in real life; describes one classmate as "an idealist;" T.S. Eliot told Donald Hall the same fellow was a shameless careerist for hounding widow Yeats for her husband's literary papers. Turns his contemporaties into rivals, unnecessarily.Subjects he avoids demonstrate Victorian propriety. Dislikes being an icon, despite seeking fame and writing for money. A romantic with a mystical streak who becomes nihilistic from disappointment--perfect for a post-war icon and truthful as far as it goes, which isn't far enough. Enough truth here to be worth reading. All criticism diminishes him, for example, even from people he detests. What writer would argue with that?




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reviews: page 1, 2, 3



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