WALT DISNEY: AN AMERICAN ORIGINAL | Bob Thomas | Walt Disney: An American Original

WALT DISNEY: AN AMERICAN ORIGINAL | Bob Thomas | Wonderful Insight to a GREAT MAN

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WALT DISNEY: AN AM...

	WALT DISNEY: AN AMERICAN ORIGINAL Bob Thomas Disney Editions, 1994 - 384 pages average customer review:based on 32 reviews view larger image
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highly recommended

Walt Disney: An American Original

This was a great and interesting book. I loved reading it and learning things about Disney and his history that I didn't know. A great read.

Wonderful Insight to a GREAT MAN

If you are a Disney fan this is the one to read. Lots of info about his early days & how Disneyland came to be. He was sure he would die before he had finished what he set out to do. The Disney company was never the same after his death.
But is John Lassiter the new Walt..... Let's hope so.

Wonderful read!!

This book was such a pleasure to read. It allows you to escape reality and enter the wonderful world that Walt Disney created. I loaned it to my father as soon as I finished it, and he cannot put it down!
Walt was a true inspiration and is to be admired.

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Disney, A Man and a Mouse

I am very pleased with the poster overall. It is a bit light and fuzzy but that only adds to the era of when the picture was taken. The poster is not signed as in the photo for the review but thats a good thing as it would take away from the art work. I give this item a rating of 5 as it was just what i was looking for in a price range I could afford and in color it beats all expections.

Disney Version?

Bob Thomas gets to the heart of things early: Disney was a greatly talented man whose singular vision lives on in his work. Fair enough. We really do forget that all this, that we call "Disney," was created by a man of extraordinary creative genius. The 60s generation sneered at Disney. Many resented the militarized discipline of the Disneyland work force with their clean-shaved faces, the uniforms and the regimented smiles. Now that the hippies have gone with the wind, we see what is enduring in the culture. Ironically, Disney himself was not a money man, not a finance wizard, not a bean counter. He was in debt most of his creative life, owing millions to the Bank of America. It was TV that saved Disney studios, not Cinderella. Disney cared about quality, cared about product, cared about audience. It is almost quaint to read about such an idealism; it even sounds like a mantra from the 60s. If Disney has become a dirty word, it is because of those who came after the Master himself. The greedy killers of the golden goose weren't interested in Disney's world; they were interested in exploiting it. This biography leaves out much, no doubt, but as hagiography it has its purposes. We see that Disney lived at that moment in America when it was possible to turn suffering into nostalgia. Like many of his generation, the down-home mid-westerner that Disney was put aside memories of mindless drudgery and turned his early childhood into a show, with singing ducks, dancing goats, and happy farmers. Author Thomas makes clear that Disney - like other film moguls like Louis B. Mayer - held a vision of America that had not yet been made anachronistic. But what astonishes most of all is Disney's integrity as a man of the arts. His donations to CALARTS coupled with his wife's gift to Disney Hall in Los Angeles make the Disney name synonymous with creative life.

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reviews: page 1, 2, 3, 4, 5, 6, 7

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