It all began one typical day in the life of Joe Heller. He was jogging four miles at a clip these days, working on his novel God Knows, coping with the complications of an unpleasant divorce, and pigging out once or twice a week on Chinese food with cronies like Mel Brooks, Mario Puzo, and his buddy of more than twenty years, Speed Vogel. He was feeling perfectly fine that day -- but within twenty-four hours he would be in intensive care at Manhattan's Mount Sinai Hospital. He would remain hospitalized for nearly six months and leave in a wheelchair.
Joseph Heller had Guillain-Barré syndrome, a debilitating, sometimes fatal condition that can leave its victims paralyzed from head to toe. The clan gathered immediately. Speed -- sometime artist, sometime businessman, sometime herring taster, and now a coauthor -- moved into Joe's apartment as messenger, servant, and shaman. Mel Brooks, arch-hypochondriac of the Western world, knew as much about Heller's condition as the doctors. Mario Puzo, author of the preeminent gangster novel of our time, proved to be the most reluctant man ever to be dragged along on a hospital visit. These and lots of others rallied around the sickbed in a show of loyalty and friendship that not only built a wild and spirited camaraderie but helped bring Joe Heller, writer and buddy extraordinaire, through his greatest crisis.
This book is an inspiring, hilarious memoir of a calamitous illness and the rocky road to recuperation -- as only the author of Catch-22 and the friend who helped him back to health could tell it. No Laughing Matter is as wacky, terrifying, and great-hearted as any fiction Joseph Heller ever wrote.
It was a day like any other, just before getting a divorce and starting a new novel (which became "God Knows"). But Joseph Heller found that his food tasted funny, his body felt abnormally heavy, and he was having problems putting on and removing clothing. He checked into a hotel, and sure enough -- he had had a problem. What's more, he had a nerve disease called Guillain-Barre, which could cause permanent paralysis.
While his mind remained sharp and unusually witty, Heller's body became paralyzed. His pals Speed Vogel, Mario Puzo (of "Godfather" fame), Dustin Hoffman and Mel Brooks all clustered around to help their friend as he began to regain control of his life.
The account is funny and kooky, full of eccentric people like Puzo and Brooks. But there are deeper undercurrents in "No Laughing Matter," in which the friends help keep Heller from sinking into a frenzy of displeasure and cabin fever. There are no gooey monologues about the power of love and friendship -- it would probably have made the authors gag, even if it didn't make the readers. But the accounts of an admittedly difficult-to-deal-with famous author being helped out, despite his eccentricity, is very touching.
There is a lot of serious content, with Heller's decline in health and the details of his time in the hospital. (Constantly lying in a hospital bed, mostly paralyzed, unable to grip a pen and with a tube in his nose) But he manages to give a funny spin to almost everything in the book, including his encounters with Valerie Humphrey, a beautiful nurse who became his second wife, and media-shy Mario Puzo telling him how lucky he was to be sick and paralyzed, since he wouldn't be require do interviews. Half the book is Speed Vogel's voice; he offers an alternate, somewhat humbler viewpoint. He also gives more entertaining anecdotes such as Mel Brooks painting his "SNORE! SNORE! SNORE!" message on the wall, or the lobster dinner, or just arguing with Joe about the thirty-person dinner.
Funnier and more heartwarming than most "disease diaries," this gives us two different viewpoints: The patient, and the loyal pal. Definitely an intriguing and interesting read.
Guillain-Barre is a disease that attacks the central nervous system, rendering the victim completely paralyzed. Although what Heller contracted was a mild form of the disorder, in an extreme case mentioned a patient was only able to move their eyes. Recovery is possible from this disease; if it's caught early enough, the patient can be hooked up to a respirator if need be and then slowly rehabilitated. NO LAUGHING MATTER is two stories. The first is that of Joseph Heller the patient who goes from being in (seemingly) perfect health to being utterly bedridden in a matter of days. The second part of the tale is told by Speed Vogel, a friend of Heller, who took care of virtually all of his financial, legal and personal obligations.
From reading some other reviews of the book, one might be under the impression that this is a light and fluffy feel-good story of friendship where one will be forced to read numerous passages on the deeper meanings of love and caring. People learning great life lessons by sacrificing much that they have purely in the name of camaraderie. Chicken soup for the soul and novocain for the brain. Fortunately, one couldn't be further from the truth. While the two authors obviously have a great fondness for each other, you won't find any obvious soliloquies on the healing power of friendship. What you will find are people who care a great deal, but aren't afraid to share a lot of good-natured abuse. While in sickness and on the road to recovery, this never feels false or sugarcoated. It's an honest account of what real friendships are made of.
Despite the title, much of the book is laugh out loud funny. Heller may have been bedridden but he didn't lose any of his trademark wit. Celebrity cameos of everyone from Dustin Hoffman to Mario Puzo to Mel Brooks help to liven up an already interesting narrative. Both authors have a warm and engaging style of writing that makes even the more incomprehensible medical jargon understandable. The jokes are great and serve also to counterpoint the feelings of desperation and of loneliness.
The book is extremely intriguing, though there are one or two sections that don't quite work. Heller was going through what appeared to be a fairly messy divorce and the legal proceedings got a little bit complicated. For a section, Heller even reproduces a few pages of the court transcripts in order to show his lawyer in the right. As justified as he may be in including these segments, they aren't nearly as interesting as the rest of the book and pale in comparison.
NO LAUGHING MATTER shows us illness from two viewpoints. From Vogel we see the outward appearance of the disease and its effect on Heller. From Heller we experience the sickness firsthand. It's a fascinating dual look at the nature of the affliction. Well worth a read.
